Bayview Projects LLP, led by filmmaker Boney Kapoor who was elected as the top bidder with an 18% revenue share offer is set to begin Phase 1 of Uttar Pradesh’s Film City. The phase includes 13 to 14 advanced film studios and a film institute over 230 acres. The project will be executed in three phases across eight years. Boney Kapoor submits layout plan for Film City in Noida Sector 21.
Director Boney Kapoor has submitted building layout to begin developmental work for Film City project site in Noida’s Sector 21 said Yamuna Expressway Industrial Development Authority (YEIDA). The director said construction would comply with concession deal provisions, reported HT. The plan includes an institute, underwater filming studio, film festival zone with guest accommodations, etc
போனி கபூரின் முயற்சியால் சர்வதேச தரத்தில் உத்தரப்பிரதேசத்தில் திரைப்பட நகரம் உருவாகிறது!
உத்தரப்பிரதேசத்தில் உருவாக இருக்கும் பிரம்மாண்டமான திரைப்பட நகரத்தின் முதல் கட்டப் பணிகளை தயாரிப்பாளர் போனி கபூரின் பேவியூ புராஜெக்ட்ஸ் தொடங்க உள்ளது.
தயாரிப்பாளர் போனி கபூர் தலைமையிலான பேவியூ புராஜெக்ட்ஸ் எல்எல்பி, 18% வருவாய் பங்குடன் அதிக ஏலதாரராக உத்தரப்பிரதேசத்தில் பிரம்மாண்டமான திரைப்பட நகரம் உருவாகத் தேர்ந்தெடுக்கப்பட்டுள்ளது. இதன் முதல் கட்டம் விரைவில் தொடங்க உள்ளது. முதல் கட்டத்தில் 13 முதல் 14 மேம்பட்ட திரைப்பட ஸ்டுடியோக்கள் மற்றும் 230 ஏக்கரில் ஒரு திரைப்பட நிறுவனம் ஆகியவை உருவாக உள்ளது. இந்த திட்டம் எட்டு ஆண்டுகளில் மூன்று கட்டங்களாக செயல்படுத்தப்படும். நொய்டா செக்டார் 21 இல் உள்ள திரைப்பட நகரத்திற்கான லே அவுட் திட்டத்தை போனி கபூர் சமர்ப்பித்துள்ளார் என்பதை யமுனா எக்ஸ்பிரஸ்வே தொழில்துறை மேம்பாட்டு ஆணையம் (YEIDA) தெரிவித்துள்ளது.
இந்த கட்டுமானம் சலுகை ஒப்பந்த விதிகளுக்கு இணங்கும் என்று இதன் இயக்குனர் கூறியதாக HT தெரிவித்துள்ளது. இந்தத் திட்டத்தில் ஒரு நிறுவனம், நீருக்கடியில் படப்பிடிப்பு ஸ்டுடியோ, விருந்தினர் தங்குமிடங்களுடன் மற்றும் பல வசதிகளுடன் கூடிய பிரம்மாண்ட நகரமாக உருவாகிறது என்றும் தெரிவிக்கப்பட்டுள்ளது.
Vijay Antony Film Corporation has carved a niche of excellence in the Tamil movie industry for producing 19 movies. He is the next actor after Kamal Haasan to produce so many movies under his home banner with 7 films scheduled at different stages of production. He owns a unique trait for creating new trend in the industry like Motion Poster, special promo videos and even unveiling crucial clippings from the movie prior to the theatrical release. His upcoming film Maargan is a Murder-Mystery Crime Thriller, featuring Vijay Antony as a police officer. While the film is all set for the worldwide theatrical release on June 27, the trailer launch event happened this evening in Chennai.
Here are some excerpts from the event that was attended by the cast, crew members of the film along with special invitees.
Producer C.V. Kumar, Thirukumaran Entertainment said, “My heartiest greetings to all the press and media friends and special invitees here. Leo John Paul is more like a younger brother to me and has been my backbone in my early days of production. Myself and director Nalan Kumaraswamy would often call him a ‘Director’ rather than a mere editor. He shows so much involvement beyond his editing suite, and make sure that the sound and music stands out to be well. Right from the day, he got involved in this project, he used to keep discussing about it every day. Maargan itself is going to be a special attempt in the Tamil film industry and will be a blockbuster like Por Thozhil and Ratchasan. I know each and every minute thing about this film, and I am sure it’s going to be a special cinematic experience for the audiences.”
Director Poo Sasi said, “Leo John Paul’s editing is something excellent, and I have been keenly waiting for an opportunity to work with him. After watching the trailer, I was so much engrossed, and felt like watching it over and again. This movie is going to be a super hit, and there’s no doubt about it. I introduced Vijay Antony as music director in Dishyum in 2006 followed by Pichaikkaran as Hero in 2016 and now I am collaborating with Vijay Antony again in a new movie in 2026. I am going to see Vijay Antony in a dimension that I have always loved to, and it will be a special movie for all of us.”
Director Nalan Kumaraswamy said, “Leo John Paul would approach all his movies including mine as a director and not just editor himself. Vijay Antony sir gives space and importance to all in the team. He always makes movies not based on his presence, but good content and team. That’s the reason, why his team always works for the best results and deliver promising impact. This movie is going to be an Astral Travel like Rajesh Kumar sir’s novel. I wish all the best to entire team.”
Producer G. Dhananjayan said, “Maargan is going to be a special film for our banner. Vijay Antony Film Corporation is widely recognized in the trade and finance circles as a 100% profitable production house. At present, the Hindi satellite rights, OTT and satellite rights, and theatrical rights of Maargan are all in a highly promising phase. During a special screening arranged for OTT negotiations, the respective streaming platform appreciated the film immensely and immediately signed the deal. Maargan is a socially responsible thriller with a strong message that we believe will resonate well with audiences. Vijay Antony has now graced the promotional event of Maargan in the same getup as the film. That speaks volumes about his dedication. Vijay Antony has also given equal importance to his nephew Ajay, and this film is going to mark a perfect debut and a promising start to his career. I am also spellbound about Vijay Antony’s next movie ‘Lawyer’, and it’s going to be a unique treat for audience. Vijay Antony sir’s confidence and his vibrant pace of signing up back-to-back projects is amazing. I am curiously waiting for the release of Maargan. Wish the entire team, a great success.”
Director Ravikumar said, “Leo John Paul has been my editor since my debut film, and he is the production company’s favourite editor. He has contributed immensely to the success of many debut ventures, including Pizza, Attakathi, my own film Indru Netru Naalai, and several others. He ensures that even the smallest and most minute details are refined and enhanced. While most editors usually confine themselves to their editing tasks, Leo goes beyond and stays actively involved in the post-production process until the final output of the film is achieved. Vijay Antony sir’s thought process is truly inspiring. After C.V. Kumar, he is someone who has introduced and supported numerous debut filmmakers. I sincerely wish the entire team great success.”
Actor Mahanadi Shankar said, “My long run dream of working with Vijay Antony sir ha finally happened now. I travel along with his character throughout this movie. Maargan is going to be a special movie, Leo isn’t just an editor on table, but would edit even the dialogues on the spot. His clarity is so perfect, which has helped the film achieve a strong output. I am glad to be a part of this film. Thank You All!”
Amma Creations Producer T. Siva said, “I have never met Leo John Paul till now, but I’ve always heard great things about him. In fact, I’ve often been told that C.V. Kumar would trust only Leo’s suggestions. Now that he’s making his directorial debut, I’m confident he would have put in extra effort to ensure Maargan becomes an exceptional film. I’m truly excited and impressed by the visuals and the overall presentation of the movie. My heartfelt wishes to Vijay Antony sir and the entire team for grand success. His passion, perseverance, and self-confidence are extraordinary. He has introduced so many new filmmakers to the industry. I’ve personally been observing his journey, the challenges he faces and the successes he achieves, and he stands as a strong example and inspiration of self-belief for everyone around him.”
Director Rohin Venkatesan said, “Leo John Paul has been my friend since college days. He’s actually the reason I decided to pursue a career in cinema. He has always been a tremendous support, and what sets him apart is the way he encourages even the simplest script ideas. His positive reinforcement inspires us to go beyond limits and deliver better work. When Leo sent me the script of Maargan, I was genuinely amazed, especially because I personally love the thriller genre. My best wishes to Vijay Antony sir and the entire crew.”
Director Arun Prabhu said, “I take this opportunity to state that my film with Vijay Antony sir – Shakthi Thirumagan has shaped up very well. Leo is my senior, and I’ve always been in awe of his editing works from my college days itself. Ajay has excelled as a performer, and I am looking forward to the film’s release. My best wishes to the entire team.”
Director Joshua Sethuraman said, “Vijay Antony Film Corporation is a successful production house, because Vijay Antony is a great creator. He is so vibrant and doesn’t get tired of sharing and generating ideas. He goes beyond the usual limits to encourage our creative process. Vijay Antony sir after introducing so many directors is introducing a promising actor like Ajay now. I wish huge success to the entire team.”
Director Pepe George said, “Thriller is my favourite genre, and just like Siva sir told, I would like to watch the trailer again. I am pretty sure that the film is going to be a huge cinematic treat for the audiences. My best wishes to whole crew.”
Cinematographer Ganesh Chandra said, “I made my debut as cinematographer through Vijay Antony sir’s Salim, and I am very grateful to him. Leo John Paul has won so many awards as editor, and he is going to sweep more awards as a director. I am going to direct a new film under Vijay Antony Film Corporation with Ajay playing the lead role. I thank him for this opportunity. Thank you all.”
‘Maargan’ Cinematographer Yuva said, “My heartiest thanks to the entire team, especially Vijay Antony sir. Ajay never looked like a debutant in this movie, and he has done a lovely performance in this film. Thank You all.”
Actress Brigida Saga said, “It was a wonderful opportunity to work with Vijay Antony sir. He’s such a fun-loving and warm person. I’ve played the role of an inspector for the first time, and it’s truly a special film in my career. My passion for cinema keeps growing, and this movie means a lot to me. I sincerely look forward to the support of the press and media friends. I hope you all enjoy the film, especially my performance. This is like an acid test for me, as I’m stepping into a role I’ve never attempted before. I thank director Leo John Paul for trusting me with this opportunity. Ajay never felt like a debutant on set, he’s incredibly talented. And a big thanks to our DOP sir for capturing me so perfectly as a cop. Thank you all.”
Actor Ajay Dhishan said, “I sincerely thank Vijay Antony sir and my aunt Fathima for giving me this opportunity. I was truly spellbound by the dedication and craftsmanship of director Leo John Paul. On set, he would sometimes suddenly distance himself and appear deep in thought. I initially wondered if something was wrong with me. But after seeing the film’s output and the kind of impact it created, I understood he was simply focused on delivering the best. My heartfelt thanks to the entire team for making my debut film such a beautiful experience. I kindly request the press and media to support our humble effort. Thank you all.”
Director Leo John Paul said, “My humble thanks to God, parents, wife and Vijay Antony sir for making me a director today. I have worked as editor for Vijay Antony sir movies, and for the first time, when I narrated the script of ‘Maargan’, I thought it would take time to get materialised. But I was surprised to see that the process got faster than I believed. Vijay Antony sir gave me a complete director’s team. I wrote the script of ‘Maargan’ in the Lockdown that was initiated by my friend, who is no more now. From my childhood, I was fascinated by the stories like Shakthimaan, and I wanted to create something like that. This film will have some mystic, fantasy elements, although the main genre is Thriller. The film has so many relevance of ‘Water’ with the script. So I started researching about the best water sources in Tamil Nadu, and it has impacted a lot in positive way for the film. Ajay never looked like a debut actor, and he performed an underwater sequence at 20ft, which isn’t an easy thing, even for the experienced actor. I was totally surprised with his work, and he got sick after a week for his laborious effort, which scared me. His dedication is so extraordinary. Samuthirakani sir has essayed a small role, but it will have a greater significance in this movie. I thank the entire cast and crew for being so supportive throughout the shooting and postproduction process. I hope and believe you all will like this movie. Looking forward to your support. Thank You.”
Actor Vijay Antony said, “Leo John Paul’s dedication is so amazing, and his honesty and sincerity to work will gain him success. I left the musical works after I started my acting career, and I request Leo not to leave the editing now after his directorial venture. I will be very soon kick-starting my music journey again. I am so happy that Ajay has done a good job. All the actors in the film have given an extraordinary performance. Dhananjayan sir has been a great support and advisor, and even this event was his idea. I thank Sasi sir for giving me a breakthrough in the industry as an actor. CV Kumar sir owns all the credits for making Leo a director today as he gave him so much support in his editing career. The film has come out well, and we as a team are humbly looking forward to your response and support for the movie.”
The much-awaited “Trance of Kuberaa” from the upcoming film Kuberaa has finally dropped, giving fans a breathtaking glimpse into the unique world envisioned by National Award-winning director Sekhar Kammula. Featuring an ensemble of powerhouse performers — Dhanush, King Nagarjuna, Rashmika Mandanna, Jim Sarbh, and Dalip Tahil — the teaser has set social media ablaze, with fans and industry insiders alike declaring it a surefire blockbuster even before its release.
The teaser offers a subtle yet intriguing hint of the story, inviting viewers into a layered, atmospheric narrative that promises to blend drama, intensity, and visual spectacle. With Sekhar Kammula’s signature storytelling finesse on full display, “Trance of Kuberaa” builds a world that is both mysterious and captivating, leaving audiences hungry for more.
The production houses — Sree Venkateswara Cinemas, Asian Cinemas, and Amigos Creations — have kept the momentum high with a series of exciting updates leading up to this teaser release. Earlier this month, the first single “Poyivaa Nanba” became an instant chartbuster. A collaboration of the dream trio — Kammula, Dhanush, and rockstar Devi Sri Prasad (DSP) — the song features Dhanush’s dynamic vocals set to Viveka’s catchy lyrics and DSP’s electrifying score. The song’s teaser, which dropped just days ago, sent fans into a frenzy, and the full release has only amplified the buzz, trending across social media and music platforms.
As anticipation mounts, Kuberaa is shaping up to be one of the most eagerly awaited cinematic events of the year. With a prestigious bilingual production and a release slated for June 20, 2025, the countdown has officially begun.
தமிழ் சினிமாவின் பேசும் படம் தொடங்கி தற்போதைய காலம் வரை எவ்வளவோ படைப்புகள் மனதில் விட்டு நீங்காத இடத்தை பெற்றுள்ளன. தமிழ் திரை உலகின் முதல் இயக்குனர் K.சுப்பிரமணியம் தொடங்கி தற்போது வரை உள்ள மாரி செல்வராஜ் வரை மறக்க முடியாத படைப்புகளை திரையுலகுக்கு கொடையாக அளித்துள்ளனர் .இயக்குனர்கள் ட்ரெண்ட் செட்டர்களாக போற்றக்கூடிய இயக்குனர் ஸ்ரீதர், திருலோக சந்தர், பீம்சிங், பந்தலு, A.P. நாகராஜன், இயக்குனர் பாலச்சந்தர், மகேந்திரன், பாரதிராஜா, மணிரத்தினம்,பாலு மகேந்திரா என இந்த பட்டியல் மிக நீண்டது. இவர்களின் படைப்புகளை நாம் திரும்பிப் பார்த்து அதனை ரசிக்க ஒரு தளத்தை ஏற்படுத்தி கொடுக்கிறது இந்த கிளாசிக் திரை நிகழ்ச்சி. இந்த நிகழ்ச்சியில் தமிழ் சினிமாவின் தன்னிகரற்ற திரைப்படங்களை சுருக்கமாக ஒரு தொகுப்பாக வழங்குகிறது. இந்த நிகழ்ச்சி. 1950 களில் தொடங்கி 60, 70 மற்றும் 90களில் வெளியான சூப்பர் ஹிட் திரைப்படங்களின் முக்கிய காட்சிகளை தொகுத்து ரசிகர்களுக்காக வழங்குகிறது இந்த கிளாசிக் திரை.
கிளாசிக் திரை நிகழ்ச்சி புது யுகம் தொலைக்காட்சியில் தினம்தோறும் இரவு 9 மணிக்கு ஒளிபரப்பாகிறது.
Warm Greetings to the Tamil Film Fraternity, Press, Media, and Esteemed Guests. We are honoured to announce the first-ever tribute concert dedicated to celebrating the legendary lyricist, Na. Muthukumar, marking 50 years of his life and his unparalleled contributions to Tamil Cinema and literature. This special event will pay homage to Na. Muthukumar’s timeless words that have touched millions of hearts and continue to inspire generations. It will be a grand evening filled with soulful performances by music directors and singers, featuring iconic songs penned by the late lyricist and heartfelt moments of his legacy. The entire Tamil Film Fraternity will unite to make this event a memorable occasion, and reflect on their fond memories and experiences working with Na. Muthukumar. This event is being organised by the Na. Muthukumar Welfare Core Committee in collaboration with ACTC Events, to ensure a fitting tribute is curated for our beloved literary icon. The tribute concert will be held on 5th July 2025 at YMCA Grounds, Nandanam, Chennai. Be a part of our celebration to honour the life and legacy of Na. Muthukumar, whose poetic vision and verses have transformed the world of Tamil cinema and literature. For further details, contact: +91 8111 033 022 E-mail ID: [email protected] Our Event Committee Members R.K. Selvamani, R.V. Udayakumar, SKP. Karuna, Director Bala, Director N. Lingusamy, G. Dhananjayan, Suresh Kamatchi, Director Mohan Raja, Director Vasanthabalan, Director Ram, Director Vijay, Director Rajesh, Writer Bava Chelladurai, Writer Ajayan Bala, Writer Vel Murugan
ெபாருள் : பாடலாசிரியர் திரு. நா.முத் துக் குமார் அவர்களின் 50வது பிறந்தநாைள ெகாண்டாடும்
ெபாருட்டு நைடெபற இருக்கும் பிரம்மாண்ட இைச நிகழ்ச்சி !
தனது பாடல்களால் மக்களின் ெநஞ்சங்களில் நிைறந்திருக்கும் பாடலாசிரியர் திரு.
நா.முத்துக்குமார் அவர்களின் ெபான்விழா பிறந்தநாைள முன்னிட்டு நைடெபற இருக்கும்
பிரம்மாண்ட இைச நிகழ்ச்சி !
அன்புக்குரிய தமிழ் திைரயுலக நண்பர்கள் , பத்திரிக்ைக , ஊடகங்கள் , மற்றும் சிறப்பு விருந்தினர்கள்
அைனவருக்கும் வணக்கங்கள் .
தமிழ் சினிமா பாடல்கைள தனது எழுத்துக்களால் இலக்கியமாக்கிய
பாடலாசிரியர் நா.முத்துக்குமார் அவர்களின் 50வது பிறந்தநாளினில் , அவர் தமிழ்
இலக்கியத்திற்கும் , தமிழ் திைரயிைசப் பாடல்களுக்கும் ஆற்றிய ஈடு இைணயற்ற பங்களிப்புகைள
ெகாண்டாடும் விதமாக நடக்கவிருக்கும் மாெபரும் இைச நிகழ்ச்சிைய அறிவிப்பதில் ெபருமிதம்
ெகாள்கிேறாம் .
தனது எழுத்தால் ஒரு தைலமுைறக்ேக காதைலயும் , ஆறுதல்கைளயும் , நம்பிக்ைககைளயும்
ெகாடுத்துக் ெகாண்டிருக்கும் , அழியா புகழ் ெகாண்ட இந்த மாெபரும் கவிஞனுக்கு மரியாைத
ெசய்யும் விதமாக, நா.முத்துக்குமாரின் பாடல்களுக்கு இைசயைமத்த இைசயைமப்பாளர்களும்
பின்னணி பாடகர்களும் பங்ேகற்கும் ஒரு பிரமாண்டமான இைச நிகழ்ச்சியாக இது அைமய
இருக்கிறது .
வீசும் காற்று முழுக்க , தன் கவிைதகைள பாடல்களாக கலந்திட ைவத்திருக்கும் இந்த
கைலஞேனாடு தங்களுக்கு ஏஏற்பட்ட மறக்கமுடியாத நிகழ்வுகைளயும் , பணியாற்றிய
நிைனவுகைளயும் ரசிகர்களிடம் பகிர நா.முத்துக்குமாேராடு பணியாற்றிய திைர பிரபலங்களும்
நண்பர்களும் பங்ேகற்க இருக்கிறார்கள் .
திைரயிைசப் பாடல்களில் தனக்ெகன தனி முத்திைரைய பதித்தேதாடு , ேகாடானு ேகாடி
இரசிகர்களின் ெநஞ்சங்களில் நீங்காது நிைறந்திருக்கும் பாடலாசிரியர் நா. முத்துக்குமார்
அவர்களின் 50வது பிறந்தநாள் விழாைவ, நா.முத்துக்குமார் welfare core கமிட்டிேயாடு இைணந்து
நமது ACTC நிறுவனம் பிரம்மாண்ட இைச நிகழ்ச்சியாக நடத்த இருப்பதில் ெபருைமக் ெகாள்கிறது
நாள் : ஜூைல 5, 2025
இடம் : YMCA ைமதானம் , நந் தனம் , ெசன் ைன
Following the success of its breakout Tamil indie hit Kadhal Oothikichu, Swan Studios returns with its second original single, Ponaaley Ponaaley —a refreshingly raw and witty portrayal of heartbreak that blends soulful emotion with sharp satire.
At its core, Ponaaley Ponaaley captures the tumultuous emotional aftermath of a breakup. Told through the lens of a boy who seeks solace by asking his performer friend to turn his heartache into music, the narrative resonates universally—speaking to anyone who’s ever given their all in love, only to be left behind.
Musically, the song is a vibrant fusion of spiritual undertones and folk dance elements, composed and arranged by Keerthan. The lyrics, penned by Santhosh, are laced with sarcasm and irony, reflecting a clever yet cathartic commentary on romantic loss. Vocal powerhouse Anthony Daasan lends his signature grit and passion to the track, making it an unforgettable auditory experience.
Visually, Ponaaley Ponaaley is a cinematic journey. Directed and conceptualized by Santhosh, the music video is set in a moody, stylized world and explores the protagonist’s past, present, and imagined future. With breathtaking visuals by cinematographer Nagesh V Acharya and crisp, emotionally precise editing by acclaimed editor Suresh Urs, the video delivers a layered and immersive storytelling experience.
Ponaaley Ponaaley will be released on May 28, 2025, at 6:30 PM IST on the Swan Studios Official YouTube Channel, with audio streaming available simultaneously on Spotify, JioSaavn, Amazon Music, YouTube Music, and all major platforms.
With Ponaaley Ponaaley, Swan Studios reaffirms its commitment to original, high-quality Tamil independent music that speaks to the soul—through story, sound, and style.
ஆந்தணி தாசனின் தமிழ் இண்டி சூப் பாடல் “போனாலே போனாலே” – பிரேக்-அப்புகளை நகைச்சுவையுடன் சிந்தனையூட்டும் பாடல் மே 28-ஆம் தேதி வெளியாகிறது
தன் முதல் தமிழ் இண்டி ஹிட் “காதல் ஊத்திகிச்சு” எனும் வெற்றிப் பாடலுக்குப் பிறகு, ஸ்வான் ஸ்டூடியோஸ் தனது இரண்டாவது இயல்பான சிங்கிளான “போனாலே போனாலே” மூலம் திரும்பி வந்துள்ளது — இதயம் நிறைந்த உணர்வுகளும் கூர்மையான நகைச்சுவையும் கலந்த ஒரு புதிய பிரேக்-அப் பார்வையை இந்த பாடல் முன்வைக்கிறது.
இந்தப் பாடலின் மையக் கரு, காதல் முறிவுக்குப் பிறகான உணர்ச்சி அமுக்கங்களை சித்தரிக்கிறது. தனது தோழரான கலைஞரிடம் தன் இதயவலி பற்றி ஒரு பாடலாகக் கொண்டு வரக் கோரும் ஒரு இளைஞனின் பார்வையில் கூறப்படும் இந்த கதை, காதலில் முழுமையாக விழுந்து பின்னர் தனியாக விலகியவர்களுக்கெல்லாம் நெருக்கமாகத் தோன்றும்.
இசை ஒலிப்புத்தாக்கம் கீர்த்தன் மூலம் உருவாக்கப்பட்டுள்ள இந்தப் பாடல் ஆன்மீக நிழல்கள் மற்றும் நாட்டுப்புற நடனத் தொகுப்புகளை இணைக்கும் வண்ணம் அமைந்துள்ளது. சந்தோஷ் எழுதிய பாடல் வரிகள் நகைச்சுவை மற்றும் ஐரனியுடன் எச்சரிக்கையாக எழுதப்பட்டு, காதல் இழப்பைப் பற்றிய நுண்ணிய விமர்சனத்தை வெளிப்படுத்துகின்றன. ஆந்தணி தாசன் தனது தனித்துவமான குரலும் உயிரோட்டமான பாடல் வெளிப்பாடுகளும் மூலம் இதனை சிறப்பாக உயர்த்துகிறார்.
தெளிவாக வடிவமைக்கப்பட்ட இசைப் பார்வையில், “போனாலே போனாலே” ஒரு சினிமாக் கதைப்பயணமாகும். இயக்கமும் கான்செப்டும் சந்தோஷ் மேற்கொண்டிருப்பதால், கடந்த காலம், நிகழ்காலம் மற்றும் கனவுக் காலங்களை மையமாகக் கொண்டு கதையின் கதாநாயகனைப் பற்றிய காட்சிகள் அமைந்துள்ளன. புகழ்பெற்ற ஒளிப்பதிவாளர் நாகேஷ் வி ஆச்சார்யா எடுத்த காட்சிகள் மற்றும் விருது பெற்ற எடிட்டர் சுரேஷ் ஊர்ஸ் செய்த உணர்வுமிக்க எடிட்டிங்கால் இந்த வீடியோ பல அடுக்குகளில் இயங்கும், முழுமையான பார்வை அனுபவமாக அமைந்துள்ளது.
“போனாலே போனாலே” மே 28, 2025 மாலை 6:30 மணிக்கு ஸ்வான் ஸ்டூடியோஸ் யூடியூப் சேனலில் வெளியிடப்படுகிறது. இதே நேரத்தில் Spotify, JioSaavn, Amazon Music, YouTube Music மற்றும் பிற முக்கிய ஆடியோ ஸ்ட்ரீமிங் தளங்களிலும் வெளியாகிறது.
இந்தப் பாடலின் மூலம், கதைகள், இசை மற்றும் ஃபேஷன் ஆகிய மூன்றின் மூலம் ஆன்மாவை தொட்டுச் செல்லும் உண்மையான தமிழ் இண்டி இசை தயாரிப்பில் ஸ்வான் ஸ்டூடியோஸ் தொடர்ந்து தனது தரநிலையை நிரூபிக்கிறது.
Rising star Vijay Kanishka has been honored with the prestigious Best Debut Actor – Male award at the Edison Awards 2025, held in Malaysia recently for his powerful performance in the 2024 action-thriller Hit List. The film, directed by Sooryakathir Kaakkallar and K Karthikeyan, was produced under the banner of RK Celluloids, helmed by acclaimed filmmaker Director KS Ravikumar.
Vijay Kanishka’s breakthrough role in Hit List has captured both critical acclaim and audience appreciation, firmly establishing him as one of Tamil cinema’s most promising new talents. The film’s gripping narrative, combined with Kanishka’s intense screen presence, has left a lasting impression on viewers and critics alike.
With this significant milestone, Vijay Kanishka is all set for an exciting journey in the film industry. The actor has a compelling lineup of upcoming projects, which will be officially announced soon.
மலேசியாவில் நடைபெற்ற 2025 – ஆம் ஆண்டுக்கான எடிசன் விருதுகள் வழங்கும் விழாவில் சிறந்த அறிமுக நடிகருக்கான விருதை நடிகர் விஜய் கனிஷ்கா வென்றார்!
‘Rising Star’ விஜய் கனிஷ்காவுக்கு சிறந்த அறிமுக நடிகருக்கான மதிப்புமிக்க விருதானது – சமீபத்தில் மலேசியாவில் நடைபெற்ற எடிசன் விருதுகள்-2025-இல், அவரது நடிப்பில் 2024-ஆம் ஆண்டு வெளியான அதிரடி த்ரில்லர் திரைப்படமான ‘ஹிட் லிஸ்டில்’ தலைசிறந்த நடிப்பிற்காக வழங்கி கௌரவிக்கப்பட்டது. இத்திரைப்படத்தை சூர்யகதிர் காக்கல்லர் மற்றும் கே. கார்த்திகேயன் இயக்கத்தில், ஆர். கே. செல்லுலாய்ட்ஸ் நிறுவனம் சார்பில் புகழ்பெற்ற திரைப்பட இயக்குனர் கே. எஸ். ரவிகுமார் தயாரிப்பில் வெளியானது.
‘ஹிட் லிஸ்ட்’ திரைப்படத்தில் விஜய் கனிஷ்காவின் திருப்புமுனை ஏற்படுத்தும் விதமான கதாபாத்திரம் நல்ல விமர்சனங்களையும் ரசிகர்களின் பாராட்டையும் பெற்றது, இதனால் தமிழ் சினிமாவின் மிகவும் நம்பிக்கைக்குரிய, திறமையான புதுமுகங்களில் ஒருவராக நிலைநிறுத்தியுள்ளது. கனிஷ்கா திரையில் தோன்றிய விதமும், வசீகரிக்கும் கதை சொல்லலும், ரசிகர்களிடமும் விமர்சகர்களிடமும் நீடித்த தாக்கத்தை ஏற்படுத்தியிருந்தது.
இந்த குறிப்பிடத்தக்க வெற்றியின் மூலம், விஜய் கனிஷ்கா திரைப்படத் துறையில் ஒரு அற்புதமான பயணத்திற்கு தயாராக உள்ளார். அவர் நடிப்பில் வரவிருக்கும் திரைப்படங்களின் ஈர்க்கும் விதமான பட்டியல் தயாராக உள்ளது, அவை விரைவில் அதிகாரப்பூர்வமாக அறிவிக்கப்படும்.
Vembu – A Stirring Portrait of Feminine Strength and Cultural Pride “A poignant tale where tradition meets transformation.”
Introduction
Vembu is a socially-conscious Tamil drama that seeks to explore the layered journey of a woman navigating personal freedom against the backdrop of tradition and cultural expectations. Directed with clear intent and sincerity, the film weaves a narrative that highlights women’s empowerment through the prism of Silambam, a traditional martial art native to Tamil Nadu. It’s a rare blend of emotional storytelling and cultural commentary, delivered through a grounded and evocative lens.
Plot Overview
At the center of the story is Vembu, a spirited young woman raised by a father who defies patriarchal norms and believes in raising a daughter who is both bold and independent. Her life takes a pivotal turn when she is confronted with the prospect of an arranged marriage to Sakthivel, a seemingly traditional man. What unfolds is a deeply emotional journey of self-discovery, resilience, and confrontation with societal expectations.
The film skillfully interweaves Vembu’s inner conflict with her outer circumstances, exploring themes of autonomy, gender roles, and the strength derived from cultural roots like Silambam.
Performances
Sheela Rajkumar delivers a compelling and nuanced performance as Vembu. She brings a quiet strength to the role—her portrayal is raw, authentic, and emotionally resonant. She balances vulnerability with resolve, making Vembu a relatable and inspiring protagonist.
Hari, as Sakthivel, surprises with a layered performance. Initially presented as a conventional male figure, his character arc develops in meaningful ways, allowing the actor to explore softer emotions and depth, particularly in the emotionally charged second half. The chemistry between Sheela and Hari is subtle yet impactful, reinforcing the emotional core of the story.
Cinematography and Music
Visually, Vembu is a treat. The cinematography by the film’s DOP brings rural Tamil Nadu to life with lush frames and earthy tones. Each shot feels rooted and enhances the authenticity of the story. From sun-dappled fields to intimate indoor settings, the visuals reflect the mood and ethos of the film.
The background score and songs are functional—supportive of the mood but not particularly memorable. While they serve their purpose, they don’t rise to the emotional highs that the narrative occasionally demands.
Direction and Screenplay
The film’s direction is heartfelt, with the filmmaker clearly invested in telling a story that matters. The screenplay, while emotionally rich, suffers at times from uneven pacing. Some transitions feel abrupt, and certain scenes linger longer than necessary, slightly disrupting the emotional rhythm. However, these are minor drawbacks in an otherwise earnest narrative.
Themes and Social Commentary
Perhaps Vembu’s most powerful element is its messaging. It doesn’t preach but instead invites reflection—on how women are raised, how culture can be both a cage and a weapon of liberation, and how empowerment often starts at home. The use of Silambam as a metaphor for resistance and self-control is brilliant but could have been more deeply integrated into the plot. A stronger presence of the martial art in key narrative moments might have elevated the film’s symbolic power.
Final Thoughts
Vembu is not just a film—it’s a statement. It offers a sincere, emotionally engaging story that puts women at the center of their own narratives. Despite minor flaws in pacing and musical recall, the film shines due to its performances, visuals, and above all, its intent. It dares to question norms while staying grounded in cultural identity.
Short Verdict Quote:
“Vembu is a sincere and stirring tale that champions strength, identity, and the spirit of change.”
Movie – vembu
Starring – Sheela, Hari krishnan
Singer – Anthony Dassan, Manikandan Murali
Lyrics – V Justin Prabu
Music – Manikandan Murali
Editor – Venkatramanan
Cinematography – A.Kumaran
Art director – Gopi karunanithi
Producer – Golden Shures, S Vijayalakshmi
Banner – Manjal Cinemas
Director- V Justin Prabu
In School, director Antony tackles a bold theme: the dark consequences of toxic motivation in academic environments. The film follows Principal Nambirajan (played by Bucks), an overzealous educator who believes his self-authored motivational book Mindset of Success holds the key to every student’s future. But when his school becomes haunted by the spirits of students who allegedly died under pressure, it sets off a bizarre chain of supernatural events—complete with combusting books, ghostly apparitions, and mysterious numbers scrawled on school walls.
Performances: Veterans Trying to Salvage the Chaos
Bucks delivers a sincere performance as the obsessive principal, maintaining a straight face even as the plot veers into absurdity. Chaams, as his clueless assistant, provides some comic relief, albeit in a predictable manner. KS Ravikumar, playing the skeptical cop Kaleshwaran, tries to inject gravitas into the chaos, especially when his own son goes missing.
Yogi Babu and Bhumika, although competent, appear far too late in the film, their presence feeling more like a plot patch than an organic development.
Tone & Genre Confusion: A Haunted Lecture Hall
The biggest challenge School faces is its tonal inconsistency. It swings between mild comedy, horror, and melodrama, making it hard to invest emotionally. Is it a satire on academic pressure? A paranormal thriller? A cautionary tale? The film seems unsure.
Even the message about student suicides and mental health, though timely and important, is delivered in a jarring, almost careless manner. Moments meant to be impactful are often undercut by out-of-place humor or cartoonish special effects.
Direction & Screenplay: A Manual in Mayhem
The idea of a motivational book becoming a cursed object is intriguing—but poorly developed. The Mindset of Success, at 500 pages, becomes a literal and metaphorical burden. Its presence throughout the film is more comedic than inspiring, unintentionally becoming a symbol of everything the film tries (and fails) to take seriously.
Scenes that should evoke fear or empathy instead inspire confusion or laughter, thanks to outdated visual effects and inconsistent pacing. The exorcist’s arrival—dressed like a 90s action hero—is the tipping point where logic completely surrenders to spectacle.
Technical Aspects: Stuck in a Time Loop
Visually, School looks like it was made two decades ago. The cinematography lacks finesse, and the production design feels amateurish. Ilaiyaraaja’s music, a rare highlight, adds emotional depth in fleeting moments—but even the maestro can’t rescue this mess.
Final Thoughts: A Lesson in What Not to Do
School had the potential to be a powerful film about the dangers of academic pressure and blind ambition. Unfortunately, its confused storytelling, outdated visuals, and tonal chaos bury its message beneath layers of unintentional absurdity. Despite moments of humor and some veteran performances, it ends up being a disjointed mix of haunted house horror and motivational spoof.
Verdict: “School tries to teach a lesson about ambition and mental health, but ends up being a crash course in bad execution.”
Short Verdict: “A well-meaning tale about academic pressure and mental health, lost in its clumsy execution and tonal confusion.”
” ஸ்கூல் ”
நடிகர், நடிகைகள் :
யோகி பாபு – கனகவேல்
பூமிகா சாவ்லா – அன்பரசி
கே எஸ் ரவிக்குமார்- இன்ஸ்பெக்டர் காளீஸ்வரன்
பகவதி பெருமாள் (பக்ஸ்)- பிரின்ஸ்பால் நம்பிராஜன்
சாம்ஸ் – அசிஸ்டன்ட் பிரின்ஸ்பால் மன்மதன்
நிழல்கள் ரவி – மஸ்தான்
ஆர்.கே வித்யாதரன்- உலகநாத சுவாமி
தொழில்நுட்ப கலைஞர்கள் :
இசை மற்றும் பாடல்கள் – இசைஞானி இளையராஜா
ஒளிப்பதிவு : ஆதித்யா கோவிந்தராஜ்.
எடிட்டிங் : ராகவ் அர்ஸ்
கலை : ஶ்ரீதர்
ஸ்கிரிப்ட் கன்சல்ட்ண்ட் : V. நிவேதா
விளம்பர வடிவமைப்பு : சதீஷ் J
மக்கள் தொடர்பு : புவன் செல்வராஜ்
இணை தயாரிப்பு : K. மஞ்சு
தயாரிப்பு : Quantum Film Factory R.K.வித்யாதரன்.
கதை, திரைக்கதை, வசனம் எழுதி இயக்கியிருக்கிறார் R.K. வித்யாதரன்.
Aagakadavana – A Quietly Ambitious Thriller with Grit and Freshness
Direction & Screenplay
Debutant director Adithya Dharma marks his arrival with a film that chooses subtlety and suspense over loud storytelling. He crafts an eerie, unsettling atmosphere through carefully composed frames and immersive sound design. Right from the early scenes, even mundane visuals like someone walking through a coconut grove are tinged with tension – not because of what’s happening, but how it’s being shown.
This ability to evoke unease even before the threat is known gives Aagakadavana a psychological edge. Dharma doesn’t rely on jump scares or melodrama; instead, he plays with perspective and timing, drawing viewers into the mystery slowly.
Story & Structure
The story follows three friends – Aditya (Aathiran Suresh), Vicky (CR Rahul), and a third friend – who save up money to open a small medical shop. But their plans go awry when they unwittingly get caught in a web of deceit and danger. What begins as an everyday road trip turns into a survival puzzle in a seemingly ordinary coconut grove.
The narrative is non-linear, with the film cutting between kidnappers, police interrogations, and the trio’s misadventures. This structure makes the first 20 minutes feel slightly scattered and disorienting, but it effectively builds suspense by holding back key information. It’s a risk that mostly pays off.
Characters & Performances
The film’s emotional weight is carried by the relationship between Aditya and Vicky. Their banter, conflicts, and concern feel genuine – especially when subtle moments reveal their bond, like Aditya calming Vicky during stressful situations.
However, because we are told about their backstories through an animated introduction rather than seeing it unfold, some of their emotional arcs feel underdeveloped. For instance, Vicky’s transformation from hot-headed to composed is conceptually strong, but lacks enough buildup to feel earned. Similarly, Aditya’s shift from calm to angry could’ve had more impact with deeper context.
The performances, though slightly amateurish at times, are adequate for the story’s tone. What they may lack in polish, they compensate with sincerity and relatability.
Technical Strengths
Background Score by Santhan Anebajagane is a major asset. It enhances the tension, fills narrative gaps, and adds weight to otherwise quiet sequences.
Cinematography makes clever use of framing. Scenes viewed through wooden slats or from hidden angles add a voyeuristic layer to the thriller element.
Editing could be tighter in the early parts but is effective during the tense moments in the latter half.
Highlights
Subtle, atmospheric suspense rather than over-the-top thrills. Clever clues and a twist-filled climax that rewards patient viewing. Realistic portrayal of fear, confusion, and friendship dynamics. A promising new voice in Tamil cinema.
Flaws
Slightly confusing opening act that might alienate casual viewers. Emotional depth could have been enhanced with stronger character development. A few sequences feel contrived or underwritten, especially in character transitions.
Final Verdict
Aagakadavana may not be a flawless thriller, but it certainly is an ambitious and engaging one. It’s a film that trusts the audience’s intelligence, offering suspense through craft rather than spectacle. Despite some writing inconsistencies and pacing hiccups, Adithya Dharma’s debut signals the rise of a filmmaker with a distinct voice and vision.
Short Verdict:
“Aagakadavana is a smart, atmospheric thriller that rises above its flaws with clever writing, suspenseful staging, and a fresh directorial voice.”
CAST LIST WITH CHARACTER NAME:
Aathiran Suresh AS Aadhithya. Vincent S AS Nargunam. CR Rahul AS Vicky. Michael S AS Doss. Sathish Ramadass AS Pattani. Dashna AS Dheena. Rajasivan AS Pugazh. Vijay Srinivas AS Ilango. PRODUCER: Anitha Leo – Leo V Raja
TECHNICIANS: Director : Dharma Cinematography : Leo V Raja Music : Santhan Anebajagane Editing : Sumith Pandiyan and Bhumesh das Lyric : Vicky Stunt : Desai Art Director : Vijayaveeran Colorist : Vinoth Kumar. A Sound Design : A. Sathish Kumar Sound Mixing : Raja Nallaiah PRODUCTION HOUSE : SARAH KALAIKOODAM
