Synopsis:
Hanu-Man, directed by Prasanth Varma, unfolds in the fictional town of Anjanadri, where Hanumanthu (Teja Sajja) defends against the sinister plans of antagonist Michael (Vinay Rai). While aiming to be a child-friendly superhero tale, the film occasionally relies on a 90s rural template, showcasing moments of awe and innovation. The screenplay feels half-baked, but there are skillfully crafted scenes, highlighting emotional depth and cultural traditions.
Characterization and Performances:
The film consciously leans towards the superhero genre, with Hanumanthu’s character maintaining a devotional dimension. However, the hero’s significant transformation lacks impact, and the character undergoes frivolous moments, engaging in comedy. Teja Sajja’s performance, though not reaching majestic heights, brings a divinity to the character. Vinay Rai’s potential is hindered by dubbing issues, while Varalaxmi Sarathkumar adds intensity to her role.
Music and Technicalities:
The film delivers a good mystical touch with divine elements, complemented by Shivendra’s apt cinematography. Gowra Hari’s commendable background score and well-composed melodies enhance the overall storytelling. Saibabu Talari’s editing could have been crisper.
Verdict:
Hanu-Man struggles with predictability and a tried-and-tested template, often feeling like a comedy entertainer catering mostly to children. While it falls short of becoming a serious superhero film, it manages to deliver occasional moments of awe and cultural richness.
Verdict Quote:
“Hanu-Man attempts superhero storytelling with a mix of 90s vibes, catering more to children. Despite occasional moments of awe, it falls short of a serious superhero flick.”
