“A Wacky Adult Comedy That Delivers Laughs but Lacks Depth”

Introduction

Tamil cinema rarely ventures into full-fledged adult comedies, and Perusu is one of those rare attempts that push the boundaries of humor and political correctness. Directed by Ilango Ram, the film revolves around an absurd yet undeniably funny premise that leans heavily on double entendres and wordplay. However, while Perusu manages to induce laughs, it struggles to maintain its momentum beyond its repetitive humor.

Storyline & Premise

The film centers around Halasayam, a respected elder in a rural town, fondly known as Perusu—a term that denotes a patriarchal figure. His character, played with great comedic timing, is introduced as a morally upright yet cheeky man who punishes a young boy for allegedly peeping at women bathing in a community pond. Ironically, Perusu himself sneaks in a grin before leaving the scene.

The narrative takes an outrageous turn when Perusu unexpectedly dies after watching television—only to be found with an erect penis. This bizarre situation turns into a major predicament for his family, particularly his two sons, Saamikannu (Sunil Kumar) and Durai (Vaibhav). They desperately attempt to handle the unusual situation, but their efforts only lead to more complications. What follows is a series of comedic situations, with every character contributing to the film’s never-ending string of phallic jokes.

Comedy – A Hit and Miss Affair

The film is unapologetically built around double entendres, and even the title Perusu (which means “The Big One”) serves as a suggestive pun. From start to finish, the dialogues are loaded with words like ninnukuthu, nattukuthu, and straight, making it clear that the humor here is neither subtle nor sophisticated. Even a doctor, played by VTV Ganesh, gets his share of suggestive one-liners, such as, “Athaan unga rendu pasanga irukaangala rendu thoon maadhuri” (You have two sons like two pillars).

While the film does have its share of genuinely funny moments, thanks to talented comedians like Bala Saravanan, Reddin Kingsley, and Munishkanth, the humor quickly turns monotonous. The excessive reliance on wordplay leads to redundancy, and at times, the jokes feel more forced than organic. One cannot help but feel that Perusu could have benefitted from a writer like Crazy Mohan, whose ability to blend wordplay with engaging storytelling would have elevated the film.

A Questionable Take on Morality

Apart from its humor, Perusu also explores some controversial territories, such as the protagonist’s extramarital affairs. It is revealed that Halasayam had a relationship with his wife’s sister (played by Deepa Shankar in a standout performance), and surprisingly, this revelation is used purely for comedic effect. The film makes no attempt to address the emotional consequences of such actions, nor does it present them as morally questionable. Instead, the characters celebrate Halasayam’s lifestyle, with lines like, “If you live, you should live like him. If you die too. Mass.” This approach, while bold, might not sit well with audiences who expect a more nuanced take on such subjects.

Emotional Beats Amidst the Chaos

Despite its loud and often over-the-top humor, Perusu does manage to strike a few emotional chords. The film touches on the family’s struggle to grieve properly due to their bizarre situation. A particularly well-executed scene is a conversation between the two brothers in a car, where they reflect on their father’s life. These brief moments of sentimentality bring a much-needed contrast to the film’s otherwise chaotic tone. However, such moments are few and far between, making the overall emotional impact minimal.

Lack of Character Depth

One of the major drawbacks of Perusu is its failure to develop its characters beyond surface-level traits. The protagonist’s sons, Durai and Saamikannu, are given minimal backstory—one is an alcoholic, and the other is a school headmaster. That’s about all we learn about them. Instead of building layered characters, the film introduces multiple side characters who contribute little beyond repeating the same type of humor. A tighter script with stronger character arcs would have made Perusu a far more compelling watch.

Final Verdict

Perusu is a bold and unapologetic attempt at an adult comedy, packed with relentless double entendres and slapstick humor. While it succeeds in generating laughs in certain stretches, its over-reliance on phallic jokes and lack of narrative depth make it feel repetitive after a point. The film does offer glimpses of emotional depth, but they are overshadowed by its obsession with crude humor. Ultimately, Perusu is a decent one-time watch for those who enjoy adult comedies, but it falls short of becoming a memorable film in the genre.

Verdict: “A riotous premise with outrageous humor, but too many repetitive jokes and underdeveloped characters keep it from reaching its full potential.”

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