The reviewer expresses disappointment with “Annapoorani,” citing a promising start that ultimately falters. The film’s plot, despite beginning well, is criticized for not being rooted in realism, missing an opportunity for a more impactful narrative.
The protagonist, Annapoorani, portrayed by Nayanthara, is introduced as a talented cook inspired by her father, the temple chef. The conflict arises when her orthodox Brahmin father opposes her dream of becoming a chef, fearing it would involve cooking and tasting non-vegetarian dishes. The narrative unfolds with Annapoorani pursuing her passion secretly, facing challenges and ultimately emerging as India’s best chef.
The review highlights a lack of originality, stating that except for the initial 15 minutes depicting Annapoorani as a child, the film becomes predictable and relies on exaggerated situations to emphasize the lead character’s empowerment. The critic perceives an overt attempt to make a point about women’s empowerment, criticizing scenes like the grandmother lecturing Annapoorani’s father, labeling it as male-bashing.
The director, Nilesh Krishnaa, is accused of presenting a biased perspective on women’s oppression, pointing out instances where Annapoorani is the only woman in her catering class and the only woman chef in the hotel crew. The film’s attempt to portray a sinister design by men to keep women out of hotel kitchens is questioned, with the critic suggesting a lack of nuance in depicting gender dynamics.
Despite the film’s shortcomings, the review acknowledges some impressive performances, particularly by Nayanthara and Achyuth Kumar. However, these performances are deemed wasted on a superficial and unrealistic plot. The final verdict describes “Annapoorani” as falling short of its potential, leaving the audience with a sense of unfulfilled expectations.
